Juan Echanove

This generation of Spanish male and female poets emerged in May 1927 to commemorate the third centenary of the Golden Age poet Luis de Góngora, organized by the physician and poet José María Romero for the Seville Athenaeum. We wanted to review the most representative figures of this generation of Spain's cultural rebirth.

Women, the most forgotten… had to use male pseudonyms to publish their works. In this recital, women have an important place; those women of the 27 Generation known as "Las Sinsombrero" was a term coined to refer to Spanish female artists born between 1898 and 1911 from various disciplines such as literature, poetry, painting, music, film, or philosophy. Many of these authors, upon the outbreak of the Civil War, ended up in exile and continued their work outside of Spain.

I believe it is a fitting tribute in this recital to these wonderful poets.

JUAN ECHANOVE - Performer

His countless and unforgettable works in theater, film, and television make him one of the most highly regarded actors by the profession, critics, and the public.

On stage, he has performed in more than twenty plays. His previous productions include “To Be or Not to Be” by Ernst Lubitsch, which he also directed (Valladolid Theater Award for Best Male Performance in 2022-2023), “The Feast of the Goat,” adapted from Nobel laureate Mario Vargas Llosa, “Red” by John Logan (nominated for Best Actor in the 2018 Fotogramas de Plata Theater Awards); “Dreams,” a free adaptation of Quevedo’s “Sueños” directed by Gerardo Vera (Ercilla Award for Best Performance).

Among his stage performances, his leading roles in Desaparecer (Disappearing) directed by Calixto Bieito, Anselmo B. directed by Adolfo Marsillach, and The Public and Unfinished Comedy, both directed by Lluís Pasqual, stand out. As a stage director, he has orchestrated productions such as Visiting Mr. Green, People, Conversations with Mom, and The Assembly of Women, with The Beauty Queen of Leenane by Martin McDonagh currently running.

Also notable is his participation in numerous recitals, lending his voice, among many others, as narrator in Beethoven’s Egmont with the Oviedo Filarmonía Orchestra, to poems by Federico García Lorca alongside pianist Azumi Nishizawa, as narrator in Prokofiev’s Ivan the Terrible with the Orchestra and Choir of the Community of Madrid, or reciting texts between the incidental music Shostakovich composed for Hamlet.

LUIS SANTANA - Baritone

This Zamoran baritone began his musical studies at the age of five and has trained with renowned masters such as Juana Peñalver, Consuelo Barrio, María Teresa Manzano, Miguel Zanetti, tenor Pedro Lavirgen, and Teresa Berganza. He has performed in some of the most important theaters and concert halls in Spain, including the Gran Teatre del Liceu, the Auditorio Nacional de Música, Seville’s Maestranza, Málaga’s Teatro Cervantes, Valladolid’s Teatro Calderón, and San Sebastián’s Victoria Eugenia, as well as developing an intense international career in cities like Rome, Paris, Milan, Budapest, Vienna, Lisbon, and Riga. He has worked under the baton of prestigious conductors and headlined memorable concerts such as Beethoven’s Ninth Symphony at the Auditorio Nacional alongside the Orfeón Donostiarra, Mozart’s Requiem at Seville Cathedral, Brahms’s Requiem at Salamanca’s Old Cathedral, and notable tributes to Teresa Berganza, Victoria de los Ángeles, and Ainhoa Arteta.

His artistic versatility has allowed him to tackle a broad repertoire spanning opera, zarzuela, oratorio, and recitals. He has participated in major national and international festivals and shared the stage with prominent figures in Spanish music and theater. Among his most notable performances are concerts for Their Majesties the King and Queen of Spain at Zaragoza’s Basílica del Pilar, collaborations with artists like Nati Mistral, Paco Valladares, and Rosa Torres-Pardo. His career has established him as one of the most recognized and esteemed voices in the Spanish lyrical repertoire.

PROGRAM

Pedro Salinas (1891-1951)

• Here on this white shore (spoken)

• The Rose and the Willow (sung)

Federico García Lorca (1898-1936)

• The Unfaithful Wife (spoken)

• Zorongo (sung)

Luis Cernuda (1902-1963)

• I Have Come to See (spoken)

• The Tree of Forgetfulness (sung)

Jorge Guillén (1893-1984)

• The Sea is Forgetfulness (spoken)

• Alfonsina and the Sea (sung)

Vicente Aleixandre (1898-1984)

• To the Sky (spoken)

• The Wind (Song)

Gerardo Diego (1896-1987)

• Ballad of the Duero (spoken)

• Ballad of the Duero (sung)

Dámaso Alonso (1898-1990)

• Life (spoken)

• Thanks to Life (sung)

Juan Ramón Jiménez (1881-1958)

• The Definitive Journey (spoken)

• Green Greenfinch (sung)

Rafael Alberti (1902-1999)

• Today the clouds brought me (spoken)

• The Dove Was Wrong (sung)

León Felipe (1884-1968)

• Lone Minstrel (spoken)

• No More Madmen (sung)

Miguel Hernández (1910-1942)

• Elegy (spoken)

• For Freedom (sung)

Ernestina de Champourcín (1905-1999)

• The Voice of the Wind (spoken)

• Think of Me (sung)

María Teresa León (1903-1988)

• Struggle (spoken)

• Memento (sung)

Concha Méndez (1898-1986)

• I Like to Walk at Night (spoken)

María Zambrano (1904-1991)

• The Water in Its Own World (spoken)

• The Heart Is Water (sung)

Rosa Chacel (1898-1994)

• The Guilt (spoken)

Josefina de la Torre (1907-2002)

• I’m Going to Make a Necklace (spoken)

• Little Copla (sung)

María Lejárraga (1874-1974)

• Prayer of Mothers Holding Their Children in Their Arms (spoken)

• The Bread of Ronda (sung)

Margarita Ferreras (1900-1964)

• For the Green, Green Olive (spoken)

• Free (sung)

Producciones LastraManagement

PRODUCCIONES
LASTRA

Artistas que unen dos mundos
LíricaArtes Escénicas
site by Bluekea