Querida Montserrat, Querido Luciano

For the first time in the history of music, a tribute filled with affection, respect, and admiration is paid to two of the greatest operatic voices of all time. An Italian and a Spaniard united by a umbilical cord: singing. Their voices resonated in the world's finest theaters, from Sydney to Rome, from Paris to New York. Today, the second generation gathers to remember their ancestors, as Montserrat Martí Caballé will sing to her mother and Simona Todaro Pavarotti will sing to her uncle. Simona and Montserrat, Montserrat and Luciano.

Two privileged artists pay tribute to two of the greatest figures in bel canto. In their memory, they present this wonderful recital with baritone Luis Santana and pianist Víctor Carbajo, featuring well-known opera, zarzuela, and Neapolitan song excerpts in a grand night that will move us with iconic pieces such as Caruso, O Sole Mio, The Barber of Seville, Nessun Dorma, Ave Maria, La Donna è Mobile, and many more.

Amidst emotion, virtuosity, and nostalgia, this gathering celebrates not only music but also legacy, family, and the immortal power of art.

SIMONA TODARO PAVAROTTI - Soprano

Italian soprano Simona Todaro Pavarotti, born in Genoa, studied lyric singing in Milan with soprano Elvina Ramella and has been awarded in prestigious international competitions such as the "Giuseppe Verdi di Parma", the "A. Belli" of the Teatro Lirico Sperimentale di Spoleto, and "Il Cantante Attore" of the William Walton Foundation, in addition to obtaining recognitions in competitions such as the "Iris Adami Corradetti" of Padua and the "E. Caruso" of Milan.

She has developed a prominent operatic career on important international stages, making her debut in Spoleto with roles such as Zerlina in Don Giovanni and Sophie in Massenet's Werther. She has subsequently performed in renowned theaters such as the Teatro dell’Opera di Roma, the Teatro San Carlo in Naples, the Teatro Massimo in Palermo, as well as in productions of The Marriage of Figaro, Dido and Aeneas, Così fan tutte or La Bohème, where she has performed the role of Mimì with great success. Of particular note was her participation in this opera under the direction of Luciano Pavarotti, performing in Fano and later in the Valley of the Temples in Agrigento.

Among her artistic milestones, her prestigious debut at the Glyndebourne Festival in the United Kingdom also stands out, with the role of Mimì in La Bohème, a production in which she performed sixteen times and which she later brought to other important Italian venues. After a pause in her artistic career for personal reasons, she resumed her career by perfecting her vocal skills with mezzo-soprano Laura Giuseppina Bulian.

MONTSERRAT MARTÍ CABALLÉ - Soprano

Montserrat Martí made her operatic debut at the Hamburg State Opera as Zerlina in Don Giovanni, receiving excellent reviews from the German press, who highlighted the purity and solidity of her voice. Shortly after, she debuted at the Gran Teatre del Liceu in Barcelona as Liù in Turandot, an performance that was described by critics as “the birth of a star” and “a new diva.” Trained in ballet by Maya Plisetskaya, she decided to focus her career on singing, also participating in notable charity concerts in the presence of personalities such as Queen Sofía and the then Prince of Wales.

She has performed in major international venues such as UNESCO in Paris under the direction of Zubin Mehta, the Deutsche Oper in Berlin, the Musikverein in Vienna, the Teatro Real in Madrid, the Bolshoi Theatre in Moscow, and the Mariinsky Theatre in Saint Petersburg. She has also performed Mozart’s Requiem conducted by Neville Marriner and has collaborated on crossover projects with Vangelis.

In recent seasons, she has performed in productions such as La clemenza di Tito at the Liceu and the Palau de la Música in Valencia, Massenet’s La Vierge in Compiègne, Don Giovanni in Palm Beach, Orfeo ed Euridice in Barcelona, as well as Così fan tutte, Puccini’s Edgar, and Massenet’s Cléopâtre in venues such as the Liceu in Barcelona and the Teatro Real in Madrid, balancing opera with recitals and concerts in prestigious European halls.

LUIS SANTANA - Baritone

This Zamoran baritone began his musical studies at the age of five, studying with some of the greatest teachers such as Juana Peñalver, Consuelo Barrio, María Teresa Manzano, Miguel Zanetti, and currently with the eminent Spanish tenor Pedro Lavirgen and with Teresa Berganza.

He has performed in the most important theaters and concert halls in our country: Gran Teatro del Liceo, Auditorio Nacional de Música, Fundación Juan March, Auditorio de Zaragoza, Maestranza de Sevilla, Principal de Alicante, Cervantes de Málaga, Miguel Delibes and Teatro Calderón de Valladolid, Romea de Murcia, Auditorio de León, Fundación Príncipe de Asturias, Círculo de Bellas Artes de Madrid, Vigo, Santiago de Compostela, La Coruña, Gran Teatro de Córdoba, Gran Teatro de Huelva, Falla de Cádiz, Batel de Cartagena, Principal de Vitoria, Victoria Eugenia de San Sebastián, Palacio de Congresos de Granada, Mérida, Circo de Albacete, Auditorio de Cuenca, San Lorenzo del Escorial, Maestro Padilla de Almería, etc...

Cities such as Rome, Paris, Milan, Naples, Budapest, Toulon, Bucharest, Donetsk, Iași, Brașov, Lviv, Rousse, Riga, Porto, Lisbon, Vienna, Eisenach...

He has been conducted by batons of the stature of García, Roa, Frizzi, Osa, Wilson, Alapont, Lencko, Vasilenko, Diadura, Monsalve, Abelló, Sainz Alfaro, Ortega, Popa, Mesa, Todorov, and many others....

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